csz:fengzheng:bijingzhilu:zagan:bdl
差别
这里会显示出您选择的修订版和当前版本之间的差别。
两侧同时换到之前的修订记录前一修订版后一修订版 | 前一修订版 | ||
csz:fengzheng:bijingzhilu:zagan:bdl [2024/10/12 20:48] – fengzheng | csz:fengzheng:bijingzhilu:zagan:bdl [2024/10/16 09:31] (当前版本) – fengzheng | ||
---|---|---|---|
行 39: | 行 39: | ||
从概率上讲,要讲清楚一个道理,其实很简单,因为只要客观的资讯记清楚,慢慢的说,没有说不来的。但要把道理讲透,讲到让人有感觉,却是不简单的,因为你传递的不是资讯,而是情绪。情绪的传递,需要节奏感,这个表达的节奏感,全凭临场发挥吗?坦白说,是,却不全是。在一个论点中,要逼自己穷尽所有表达的可能,你对每一种情绪越熟悉,就越能成为记忆,让你在临场发挥时有所凭借。 | 从概率上讲,要讲清楚一个道理,其实很简单,因为只要客观的资讯记清楚,慢慢的说,没有说不来的。但要把道理讲透,讲到让人有感觉,却是不简单的,因为你传递的不是资讯,而是情绪。情绪的传递,需要节奏感,这个表达的节奏感,全凭临场发挥吗?坦白说,是,却不全是。在一个论点中,要逼自己穷尽所有表达的可能,你对每一种情绪越熟悉,就越能成为记忆,让你在临场发挥时有所凭借。 | ||
- | 当然,有些问题,暂时无解,有些争议,时机未到。唯有暂时搁置,等风来,或者设定一个重启的时限。此生,因口吃而陷入非良性循环,一路挣扎。谨此,以一首小诗作结: | + | 当然,有些问题,暂时无解,有些争议,时机未到。唯有暂时搁置,等风来,或者设定一个重启的时限。此生,因口吃而陷入非良性循环,一路挣扎。谨此,以五首小诗作结: |
- | **一生几许尘劳事,不入桃源何处销?** | + | **诗一** |
- | **半醉半醒半风筝,一心一意一究竟。** | + | > |
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
- | **何时回首萧瑟处,也无风雨也无晴?** | ||
- | **理上顿悟事中磨,人间正道是沧桑。** | + | > |
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | **诗二** | ||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | >网上栈下齐欢聚 | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | **诗三** | ||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | **诗四** | ||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | >这里是巧转念的舞台 | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | **诗五** | ||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | |||
+ | |||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
+ | > | ||
csz/fengzheng/bijingzhilu/zagan/bdl.1728737316.txt.gz · 最后更改: 2024/10/12 20:48 由 fengzheng